- Magic tagger profile mp4#
- Magic tagger profile full#
- Magic tagger profile pro#
- Magic tagger profile mac#
I started using Resolve this year, loving it so much, but this problem is getting me down. Under these circumstances, it seems questionable to lay all the blame on the Mac, isn't it?
Applying any Luts to the Color Lookup Table doesn't help and switching from Resolve 16.1 to 16.2.2 even made it worse. All browsers (Firefox, Safari) and players (QT,VLC,IINA,Adobe) just as iMovie, Lightroom, Luminar and DXO are showing very similar, respectively identical colors and contrast, but Resolve does not.
Magic tagger profile mp4#
No matter if importing AVCHD, XAVC, MP4 or MOV, the Resolve-viewer is always extremely oversaturated and dark compared to every other application on the Mac. 709-A" doesn't make any difference at all for my 2019 iMac 27". Using "Mac Viewer Color Profile" and timeline to "Rec. The same issue still persists in my system. Source video file opened in QT doesn't match to DVR Viewer. No problems matching DV with QT despite the profile used.Īmsterford wrote: Have no idea what I'm doing wrong. After several uploads the 1-1-1 tag is the only one that works.
Magic tagger profile mac#
"Use mac display color profiles for viewers" enabledĪnd automatically tag rec709 scene as 709-a enabled. For me exporting with data levels AutoĪnd the timeline settings are at rec709-a (non color managed) Perhaps you're exporting with "Retain sub-black and super-white data".
Magic tagger profile full#
Thank you for the updates!įor me it matches perfectly all the way from QT/FCPX through to youtube, but only when the DaVinci viewer is not full screen. I also noticed that automatic profile is unfortunately assigned when importing files from Pocket 6K, based in metadata I guess. IMac i9 with Vega 48 is not using this implementation. mov at 1fps to 47fps in UHD (from a ProRes 422 HQ UHD 25fps) but not matching 709 Scene.
Magic tagger profile pro#
In the other hand my MacBook 16" with AMD Radeon Pro 5300M 4 GB and T2 chip jumped from rendering 10u HEVC. But it's quite different from older versions results. I can understand it since compressed file may change. Checked Rec.709-A but doesn't match, although it was exported as 1-1-1 tag.īut curiously the color of HEVC H265 8bits differs of a H265 10bits file. Tag 1-1-1 was the answer, and Rec.709 (Scene) the only way for matching, deactivating the use of system profile in DV preferences, and avoiding 10bits viewers. also sRGB, and finally, with version 16.2.1, got the correct matching color from DaVinci, Quicktime, and Wistia! Our final screen is the internet. We have working with several combinations, several months with 709 2.4. This option will set the input color space of Rec.709 1-1-1 tagged clips as Rec.709-A and will match the look on products such as QuickTime player. You can continue to use the 2.4 gamma as well, but it might not be compliant with some 3rd party apps which do not handle the 1-2-1 color profile tag.Īdditionally there is a new preference to automatically tag clips Rec.709 Scene clips added to the Media Pool as Rec.709-A. This new option can also be used for the output color space and will generate 1-1-1 tagged QuickTime files which should look the same when viewed in QuickTime Player. Please make sure “Use Mac Viewer Color Profile” in Preferences is enabled. The Resolve viewer should then match the QuickTime Player output.
If you are not using Resolve Color Management, you can set the timeline to Rec. If you have a clip stored with the 1-1-1 profile and are using Resolve Color Management, please tag the input clip in media pool with the new Rec.709-A option. Resolve 16.2.2 introduces a new colorspace/gamma option named Rec.709-A which is compatible with how Apple frameworks handle Rec.709 Scene (1-1-1) tagged QuickTime files.